[MUSIC PLAYING]
I give it you without the hoopla,
Danny boy, the simple facts of life.
I'm sitting in the crossfire with the cops on one side,
And Smiley Freeman on the other, and the both of them
Gunning for me.
So I'm the guy who knows that you're the one who took the 20
Grand from Smiley to cover up the dirty killing.
Got a cigarette Danny boy?
Now, my proposition's quick and easy, Danny.
We split the 20.
Five for you, 15 for me, and I take it on the lam.
Live and let live's my motto.
Aw, that look in your eye, Danny's, painful to me pride.
[GUNSHOT]
Oh, Danny.
Wait.
Don't kill me.
Danny boy, don't!
Hey!
What happened?
What's going on down there?
Were those shots?
You better call the police.
There's been a murder.
[POLICE SIRENS]
Evening Inspector.
Hey.
Hi, boys.
Always happens in the middle of the night.
Yeah.
That's Joe Gordon, all right.
Yeah.
He won't be doing much testifying now.
Convenient for Smiley Freeman.
Yeah.
Fella over there with the dog says he saw it.
Yeah?
Stenographer here yet?
Not yet, Inspector.
What's this guy's name?
Frank Johnson.
Lives around here.
Claim he was out walking his dog.
All right, Mr. Johnson.
Inspector Ferris, homicide detail.
I understand you had a front seat.
I sure did.
You get a good look at the killer?
Too good.
That street light was right on his face
When he got out of his car and shot at me.
Shot at you?
Twice.
You're lucky he missed.
Think you'd recognize him you saw him again?
It's not a face I'm likely to forget.
Pick him out of a lineup?
I think so.
Yeah.
Say what's this all about anyway?
The dead man, Joe Gordon, was going
To testify before the grand jury next week.
That's tough.
Not too.
He had a bad record.
He knew too much about Smiley Freeman.
You know who Smiley Freeman is?
The gangster?
That's right.
Gordon was our witness.
Now, you're it.
Me?
Yeah.
All you have to do is identify the killer.
We'll do the rest.
Married?
In a way.
What do you mean, "in a way?"
Are you or aren't you?
Yeah.
I am.
Where do you live?
Right over there.
136 Alta Linda, Apartment 4D.
Pick up Mrs. Johnson and bring her over here.
OK.
Hey, don't wake her up!
She's not going to like it.
Well, she'll want to know where you are, won't she?
We're taking you down to headquarters.
Headquarters?
What for?
Protective custody.
I see what you mean.
Now, where were you standing when he shot at you?
Oh, right down there.
Show me.
Well, I was right down there with the dog
When the car drove up.
I didn't pay much attention to it.
A little bit later, I heard a shot.
I looked up just in time to see this fellow, what's his name,
Fall out of the car.
Then the killer pumped another shot right into him.
My dog barked.
He got out of the car, started to shoot at me.
I ducked, and he drove away.
What kind of a car?
I don't know.
A light coupe.
They all look alike to me.
Well, his aim was all right.
He was just shooting at the wrong target.
He thought your shadow was you.
Will you go call Reardon?
Maybe he won't miss next time.
There won't be any next time.
Yeah, but suppose you don't get a conviction.
Then what?
Do I have to spend the rest of my life with police protection?
Or to wind up on a sidewalk like him?
What are you worried about?
He missed, didn't he?
Stay here a minute.
We'll get the rest of the story downtown.
I hate to get mixed up in this.
Yeah.
It's getting so a man has to be careful
Where he's looking these days.
Good evening.
Keep out of here, will ya?
Say, I think I dropped my pipe somewhere around here.
Is it OK if I look for it?
Remember where you had it last?
Yeah, it was right over here somewhere.
What's the matter, Buster?
Come on.
Get out of here, will ya?
Pick up Smiley Freeman and everybody connected to him.
Put them in a lineup, see if Johnson can identify anybody.
I want everybody.
No excuses.
No lawyers.
I want everybody.
Will do.
See if you can pick up anything on that car.
Somebody may have seen it.
Mrs. Johnson, that's not your husband.
A man was killed and he saw it happen.
He... he's right over here.
Sorry I had to get you out of bed Mrs. Johnson.
But after all, we had to make sure that he had a wife.
Where is he?
He took up out of here.
Sergeant, pick up Johnson.
The idiot'll get himself killed.
[SHOUTING]
Just like him.
Always running away.
What do you mean, always running away?
Running away from what?
From everything.
Broadcast description.
White male American with a trench coat, soft brown hair...
A very ordinary looking fella, I'm afraid.
Yeah.
Well, how would you describe your husband, Mrs. Johnson?
I couldn't.
I haven't been able to for a long time.
May I go now?
Come on, you mutt.
Nice dish, huh?
Nice looking dish.
I want everything shut off.
Bridge controls, road blocks, everything.
I'll stick with her.
Right.
Did you hear the shots fired?
How could I?
I was in bed, sound asleep.
Find any pictures of him?
No, but there's plenty of her.
Just some tired snaps.
Mm.
They won't do anybody any good.
But keep them.
Books on psychology.
I wonder why.
Has he got a problem?
I wouldn't know.
Maybe he's confused.
Aren't we all?
Pipe smoker.
Mm.
What does that mean?
Nothing.
Oh, he's got two suits, one of which he's wearing.
What does he care what he looks like?
Nobody pays any attention to him anyway.
Not even his wife.
You're really wasting your time.
There must be at least 20,000 men
In San Francisco who answer that description.
How are you going to find him?
There has to be something different about him,
Different anyway from other people.
There is something different about him.
There's something different about everybody.
And we're going to dig until we found out what it is.
Now you see our problem, Mrs. Johnson.
Why don't you help us?
I'm helping.
What do you want me to do?
I want you to answer a few questions.
Go ahead.
Ask.
Where does he generally go when he's not at home?
I haven't the faintest idea.
Has he any relatives in this area?
No.
Who are his friends?
I don't know his friends.
The dog is our only mutual friend.
You always go to sleep when he walks the dog?
No.
Sometimes he goes to sleep and I walk the dog.
Say Inspector, here are a couple more.
Oh, I'm terribly sorry.
There's been a mistake.
Release these men at once.
Keep digging.
OK.
Every man between the ages of 35 and 40 who was out tonight
Is wearing a trench coat and a snap brim felt,
All of them 5 foot 11, weighing 170, and all of them
Scared to answer questions.
The domestic situation in this town must be terrible.
Yeah.
Kitchen?
Well, it's got a stove in it.
Don't you eat anything but dog food?
He's not particular and I'm lazy, so we eat out.
Where?
Well, let's see.
The corner drug store, the lobster grill
At the wharf when we're in that neighborhood,
And when we get real fancy, Man lo's Oriental Roof Garden.
Those usually.
We're creatures of habit, I'm afraid.
Check the Oriental Roof Garden. They'll still be open.
Yes, sir.
2 o'clock in the morning.
How am I going to explain this at home?
What's going on here?
I'm sorry.
There's been a mistake.
He's sorry.
What am I going to tell my wife? Come on now.
Come on.
What did you and your husband quarrel
About tonight, Mrs. Johnson?
We don't have to have a reason anymore.
Don't you have a decent picture of your husband?
No.
He doesn't like to have his picture taken.
I don't want any photographs of him floating
Around that might get in the papers.
The killer doesn't know what he looks like.
Didn't he see him?
No, he shot at his shadow.
Shot?
He shot at Frank?
Twice.
Nobody knows that except the killer, your husband, and now
You, so let's keep it that way.
It's important.
He's really in danger then?
Worried?
I thought you were beyond worrying about him.
I didn't say that.
If he doesn't give himself up, you're
Really going to have something to worry about.
We've got to protect him.
Like you did the other witness?
Joe Gordon would be alive right now
If he hadn't had his lawyer spring him.
Hey Martin.
Here's something.
Description for Frank Johnson.
Husband ill?
No, he just likes to take medicine.
Well, what are these for?
I don't know.
He just likes to take vitamin pills, cold shots, anything.
What's up here?
Studio.
My husband's an artist.
Oh, I thought you said he worked at Hart & Winston's.
He does.
He's in charge of displays down there.
Oh, window trimmer, huh?
Rembrandt, get down.
You know you're not allowed up there.
Rembrandt?
It's the nearest we could ever get to owning one.
Frank's little joke.
He found the mutt sitting on the street corner
One night waiting for someone to adopt him.
They recognized each other right away.
Is this supposed to be you?
Yes.
It was a lovely autumn day.
The wind was blowing through my hair.
It was all very charming, but that was four years ago.
That was Frank's Cyprus period.
He had four important periods in his painting career.
Say, how did you two ever happen
To get together in the first place?
I met him at a friend's house in Carmel.
He wanted to paint and I was all for it.
I had $5,000 and he had $2,000 in talent, so we got married.
After Carmel, he became restless,
So we went to Taos, New Mexico where he painted Indians.
That's an Indian.
Yeah.
Then he got tired of Indians, so he went to Buckstown,
Pennsylvania where he painted old Dutch barns with hex signs
On them.
Say, did he ever do a self portrait?
He didn't like himself that much.
Oh.
He do these in Pennsylvania?
No, he got restless again so we came to San Francisco.
Here he started sketching crummy old characters that
Hung around wars, missions, and gin mills.
That was his social protest period.
Then our money ran out and he had to take a job.
Couldn't sell the stuff, huh?
He wouldn't try to sell it.
Didn't think it was good enough.
These sketchbooks are filled with good ideas
He never got around to painting.
Well, didn't you try to get a job?
Why should I?
That's his responsibility, not mine.
Friends of your husband?
No, that's his burlesque period.
Now that I like.
It's pretty good.
Yes, but it takes more than talent to have a career.
You have to have staying power.
Frank's a drifter, so when the money ran out, we just drifted.
Who's this?
Oh, some dance team over in Chinatown.
Hm.
Or him?
Oh, he's a retired ferryboat captain
Who does sand sculptures at the beach.
Oh.
I know who that is.
That's Rembrandt.
What does all this got to do with finding Frank?
You just answer the questions.
That is, if it doesn't hurt?
Why should it hurt me?
It's all past and done with.
But you want to snoop into the remains
Of marriage, that's up to you.
[PHONE RINGING]
Don't touch that telephone!
If that's your husband, find out where
He is, but keep on talking.
[PHONE RINGING]
Hello?
FRANK (ON PHONE): Hello.
Oh, hello Frank.
Trace that call.
FRANK (ON PHONE): Eleanor, there's
Something I want you to get for me.
I'm sorry to interrupt, but if I were you, I'd hang up.
The police are tracing your call.
Hello?
He hung up.
Seems to me I heard music.
Wasn't that music?
You didn't do your husband a favor, Mrs. Johnson.
It's bad enough to be alone in the big city
With no place to go.
But as soon as the newspapers hit the streets and the killer
Finds out he didn't get your husband,
There will be guys looking for him with guns.
If I had a husband I wanted to get rid of,
I'd do exactly what you did.
If he wants to run away, that's his business.
And your business too, Mrs. Johnson.
I'll be seeing ya.
No wonder the world's full of bachelors.
A little more needling's all she needs.
Give her plenty of rope, but keep her tailed.
She wants to get rid of him.
Women are curious.
Even that dame will go after him.
Aw, come on.
Be a good fella and let us up.
Who's handling the case?
Inspector Ferris.
Oh, he's a friend of mine.
Is that right, Inspector?
Sure.
We know him well.
Hi Ferris.
What's the scoop?
No story.
How about that Johnson gal?
Is she good-looking?
DAN LEGGET: What about the witness?
What witness?
Oh, cut it out.
Cut it out. It's already going to press.
You get a look at the murderer? INSPECTOR FERRIS: No.
What's his wife like?
Any filth?
Lay off the tabloid sex stuff, Legget.
I'll give it to all of ya in the morning.
Hi ya, Homer.
No favorites.
Don't scream.
You coming out or going in?
Are you the police?
Smile when you say that.
I'm a reporter.
Oh.
Newspaper men.
Well, you don't have to say it like that.
Let go of me.
Go away.
Ahh!
Ah.
Are you just going to leave me dangling here?
Well, you just said to let you...
I don't care what I said.
Help me get out of here.
Pleasure, Mrs. J. You are Mrs. Johnson, aren't you?
No, I'm the maid taking my night out.
Ah.
What magic I possess.
A moment ago, total strangers.
Now, here in my arms.
So it's love at first sight.
Now show me how you got up here without the police seeing you.
Do I get the story?
After I get out of here?
Follow me then.
Looks like half the police force is down there.
Must I?
Just look straight ahead like you did when you got married.
Incidentally, my name's Legget.
Legget of "The Graphic."
We've got a dandy little sheet all full
Of goo and gore and every... Hey!
Bye.
[MUSIC PLAYING]
You wish something?
Gin over rocks?
Rocks?
Is this chair taken, madam?
Why thank you Mrs. Johnson.
I'd love to join you.
You didn't think you were going to get rid of me
As easy as you ducked the police, did you?
I'll let you know, Mrs. J, I'm an old fire escape man from way
Back.
Why don't you get lost?
[APPLAUSE]
Now then, how about this story?
You'll get the story from my husband
When he's safe and sound in jail.
Oh, but he won't be safe and sound.
Have you heard of a fella by the name of Joe Gordon?
Do you wish something?
DAN LEGGET: Yeah, let me have a bourbon old-fashioned.
Yes, sir.
Why did you come here tonight, Mrs. Johnson?
Or shouldn't I ask?
Because I like it here.
You didn't by any chance come here
To meet, say, your husband, did you?
Or is that a far-fetched supposition?
Supposition?
I better stop using those four syllable words.
I won't be working for "The Graphic" anymore.
Where's your husband, Mrs. Johnson?
- I don't know. - Did he see the killer?
- I don't know. - Shall we dance?
Why don't you drop dead?
[SPEAKING CHINESE]
OK.
Why don't you be nice to me, Mrs. Johnson?
Who knows, I might even be able to help you.
I'm not a bad guy when you get to know me.
I'm a little obnoxious, perhaps, but pleasant.
Now then, answer yes or no.
Your husband saw a murder and took it on the lam, right?
Right.
And you're... you're meeting him here?
I haven't the slightest idea.
I came here on a hunch.
When he phoned tonight, I heard music
That could only have come from this joint.
Something to eat?
No thanks.
No food.
Oh, go ahead. Try something.
No, really.
Nothing.
So uh... I've got a deal for ya.
You find your husband with my help,
Give me an exclusive for 24 hours,
And I'll get my paper to pay you for it.
Trying to buy me so soon?
First, I'm going to try and buy you.
And if I can't, I'm going to try to win you.
Isn't that the reverse of the usual procedure?
I'm a perverse fellow.
On second thought, Mrs. J, I find you very attractive.
I might try and win you right off.
No, thanks.
I'd rather be bought.
Tsk, tsk.
Very mercenary.
Probably good, though.
I like mercenary women.
[SPEAKING CHINESE]
[APPLAUSE]
Money?
Sure.
How much?
Well, I don't know.
A grand maybe.
Is it worth that much?
It will be by the time I get through building it up.
Frank will need it if he wants to get away.
I'll bring it with me.
Just tell me where and when.
And you won't print anything until I give the word.
Scout's honor.
It's a deal.
Should we drink to it?
To the, uh, speedy conclusion of all our troubles...
Yours, your husbands, and mine.
You got troubles?
You don't look it.
None that I can't solve now that we're partners.
Hiya Mrs. Johnson.
Hi Sammy.
Sit down.
Meet Mr. Legget of "The Graphic."
Oh, newspaperman.
Sammy.
You should have caught the show.
Suzie and I are breaking in a new act, Chung and El Tito.
It's terrific.
That's spelled C-H-U-N-G. Anybody can spell El Tito.
Course, we're only breaking in the show here,
But a little plug would help.
Well, uh, I'll see what I can do.
Thanks.
Next time you come, catch the midnight show.
The place is really jumping then.
I'll be seeing ya.
Bye Sammy.
Night.
Well, I think I'll go home.
Frank won't show tonight.
How do you know?
I just know, that's all.
What are you going to tell your husband when you see him?
To give himself up.
Maybe I'll give up too.
Leave your flag down.
Eh, you want to go in over the roof.
No, I'll go in the front door and give
Them something to think about.
Well, in that case, I'll disappear.
Let's not give them too much to think about.
Well, if I need you, I'll get in touch with you.
Oh, you won't have to get in touch with me, Mrs. Johnson.
Just look around, I'll be there.
Goodnight Mr. Legget.
What are you doing here?
Well, that was nice going, Mrs. Johnson,
But the next time you try to get out, you'll have more trouble.
I've got news for you.
I've just seen your husband's doctor.
Why?
Aren't you feeling well?
Your husband isn't a hypochondriac.
He's a very sick man.
He's got a bad heart.
I don't believe it.
Ask Dr. Hohler.
Frank never said anything to me about it.
Maybe he figured you wouldn't be interested.
Well, he can walk into any drugstore
And buy some medicine.
Not without a prescription he can't, and I've given orders
To every drugstore in town that none of this medicine
Is to be dispensed without an order from me.
If he should have an attack, and not have that with him,
You know what that means.
You can't do that.
If it's the only way I can get him to come in and testify,
I mean to use it.
But Frank's done nothing wrong!
Oh, yes he has.
He was in the wrong place at the wrong time.
I thought the police were supposed
To protect people, not put them in danger.
All it says in my book sister is the good of the majority
Has got to be upheld.
And for the good of the majority,
Frank Johnson's got to testify.
If he gives himself up, we'll give him a supply of medicine.
We'll protect him.
And if he doesn't?
He'll die of a heart attack or a bullet
From one of Smiley Freeman's men.
I don't believe a word you're saying.
You're only trying to frighten me.
And I'm getting pretty sick of you.
Now get out of here!
Of course, if you want to try to find him,
I won't try to stop you.
But I don't think you can find him.
I don't think he's running away from us.
I think he's running away from you.
I said get out!
I am violating my instructions from the police
By giving you this additional supply,
But this gives me no feeling of guilt.
Thank you doctor.
After the excitement of last night,
Your husband undoubtedly used the ampoules
He carried with him.
So you see, my action is not prompted by kindness.
Such is my reluctance to gamble with a man's life.
Is his heart really that bad, doctor?
Frank's condition isn't any worse than tons of men.
They strained their hearts running in track meets,
The misguided belief that they were building up their bodies.
If it were only his heart, we could control it.
What do you mean?
Well, for the past year, your husband has had hypertension.
That complicates matters.
Hypertension?
What causes that?
I'm not sure.
My guess is overwork, unhappiness, anxiety.
But you know more about it than I do.
Why should I?
But naturally, you must know about his troubles.
I'm only his doctor.
You're his wife.
Oh yes.
I'm that bitter, selfish, vicious wife, the cause
Of his unhappiness, the cause of his failure.
Is that what he told you?
Is that what he tells everyone?
Frank didn't discuss his private life with me,
Nor do I care to hear it from you.
I shall explain to you his condition and that's all.
He has a cardiac condition.
Let's call it x.
Now, x alone is not serious.
He also has hypertension.
Let's call it y.
Now, x plus y is dangerous.
I'm y, I suppose?
I'm not a psychiatrist, Mrs. Johnson.
I deal only with facts.
X plus y equals steady deterioration.
X minus y is an improvement.
Now, what you and your husband do about it,
That's your personal concern.
My only personal concern right now
Is to get these ampoules to him.
If you see him, tell him he should give himself up.
It's imperative to take the strain off himself.
I'll give him the facts.
He can draw his own conclusions.
Oh, finally darling.
I thought I'd never find you.
Now stay right there.
I'll be back in five and explain everything.
All right, Mr. Johnson.
Come along.
My name isn't Johnson.
Yeah, and I suppose that isn't your wife either.
No, but I wish it were.
Do you have any identification?
Yes, I have.
My name is Steven Carruthers, optometrist.
While we're on the subject, I think
You better have your eyes examined.
So Frank is a fugitive from the law?
Well, that's just like him.
He's so adventurous.
Adventurous?
Frank?
Oh yes, indeed.
Uh, sit down, Mrs. Johnson.
I guess you never visited our workshop before.
What makes you think he's adventurous?
Oh, but he is.
All the places he's gone and all the things he's done.
You know, my life has been pretty uneventful.
Straight from high school to this job.
From my rooming house to the street car
And then down here to work.
In the evening, back to my rooming house again.
But since he's been here, it's different.
He... he makes my life kind of exciting!
I never get tired of listening to the stories he
Tells about his trip down to Mexico.
When he was wandering around with all those bull fighters?
And when he shipped off to Tahiti in that old freighter
And then jumped ship?
Oh, I'm sorry.
I suppose you heard these stories
Many times, Mrs. Johnson.
I never heard them.
He never told me.
He didn't?
Well, maybe he didn't want his wife to know.
Oh, I'm sorry if I talked out of turn.
Of course you haven't.
Shouldn't the mail be here?
Why, yes, yes, it should.
Why?
Frank sent me a letter in care of you.
Oh, he did?
I don't know what Mr. Anderson is going to say when he finds
Out Frank isn't coming in today.
You know, he's got a terrible disposition.
He doesn't exercise enough.
Of course, I don't either, but then... well,
I'm going to protect Frank.
He saved my job once.
You know, Mr. Anderson was going to fire me.
But Frank said, if Mr. Maibus goes, you can pay me off too.
Ooh, they had a terrible argument.
They even took it upstairs to Mr. Winston.
Well, we're still here.
Frank was too valuable.
Look, Mr. Maibus.
Don't tell anyone about that letter that's coming.
Oh, no, no, no.
You can trust me.
Not even the police.
The police?
Are they coming here?
They're very apt to.
But just don't mention the letter or anything
About my being here at all, huh?
Well, I don't know how good I am at deceiving people,
But uh, if it's for Frank, I'll try.
STORE CLERK: Hey Maibus!
You better get the lead out and get upstairs.
Anderson's blowing his top.
OK.
I'll be right up.
Is the mail in yet?
How should I know?
Nice people.
Sometimes I think it'd be better for Frank
If he got himself fired.
What, he doesn't belong around here.
Look at all the time he puts in these mannequins.
Say, I just noticed something.
This looks like you.
Very flattering.
Is that the way he sees me?
Well, it may be a little severe,
But it shows he was thinking about you anyway.
Yes, and what he was thinking.
MAIL WOMAN: Mail!
You've only got two today, Mr. Maibus.
Well, isn't Frank here?
No, no, he's late.
Was there a letter for him?
No, I just had a new song I wanted him to hear.
Frank's the only one who listens to me sing.
Oh brother, have I got a crush on that man.
Mm-mm!
No letter.
Oh, but there's got to be one.
Well, maybe it'll be here on the afternoon
Mail at 3 o'clock.
If one comes, hold it for me.
And let's just keep it our secret, shall we?
Morning Mrs. Johnson.
He didn't show up for work this morning, did he?
Where's your new pal Legget?
I haven't the vaguest idea.
I wouldn't get too cozy with that guy if I were you.
He'd crucify his grandmother for a story.
I haven't found him as objectionable as you are.
What right have you prying into my personal life,
Having me followed as if I were a criminal?
I'm sick of it.
I'm sick of you and I want it stopped.
Mrs. Johnson, didn't your husband ever beat you?
Are you going to have these men stop following me?
The man who killed Joe Gordon isn't stupid.
If I'm smart enough to use you as a bird dog
To lead us to your husband, so is he.
You may be very happy to have a cop around
Before this thing's over.
That I doubt.
Stick with her.
How could I lose a redhead like that?
Oh, don't be so grumpy this morning.
All I'm trying to do is help you.
Do you know that you got a little shadow?
Eh?
There she is.
Well, it's a nice morning for a ride.
Oh, uh, by the way, here's your letter.
Well, how did you...
Surprised?
Don't be.
$10 and an underpaid store clerk can get you anything.
Don't you worry about it.
I'll put it on my expense account.
But how did you know about it?
The menu. You shouldn't have left it.
It was very careless of you.
I have inquisitive eyes.
Do you always open other people's mail?
Mhm.
Every chance I get.
Say, did you get a load of the female impersonator
They've got following you?
No.
Well, let's duck her and get down to business.
Hey Mac, turn left on the next street,
Then right up the alley.
OK.
Mean anything to you?
Oh, a lot of things.
Something to go on?
I'm not sure.
What does he mean in there about the doctor
And the ampoules?
He's medicine he needs.
He has a bad heart.
How bad?
Bad enough.
I just found out.
He's got to have these pills and he can't get them anywhere.
The police have seen to that.
Ah, squeeze play.
That Ferris is smart.
Will he die?
I don't know.
I spoke to his doctor.
It isn't serious, only under certain conditions.
Ah.
Eh, explain.
The police will probably read this note
So I can't tell you where I'll be.
But if you think back, you'll know where to find me.
What am I, a mindreader?
Well, he gives you a clue in this next line.
I'll be out in the open under the sun in a place like the one
Where I first lost you.
There is no first in things like these.
This is kind of obscure.
Does he always talk to you like that?
No, it's our first murder.
You know, Mrs. J, your husband's
A pretty clever guy at that.
No, you don't think so, but he is.
He's testing you.
He's asking you to admit that your marriage is a failure
And that it's your fault.
He's saying that he understands you,
But that you don't understand him.
Now listen, Mr. Legget of "The Graphic,"
I've had just about enough of the all wise male.
In the past 10 hours, I've met three men... three men who all
Put together haven't known Frank for one fraction of the length
Of time I have, yet they all know him better than I do.
Well, along the way, I've found out a few things myself.
I found out how Frank Johnson really feels about me,
That at the first chance, his first excuse, he took off, ran.
That he didn't even think enough of me
To confide in me that he was ill.
Then at the store, in the faces of those mannequins,
I saw what he really sees in me.
All right.
It's OK if that's the way he feels about it,
But if he wants his ampoules, he'll
Have to come out of hiding and get them.
What did you have for breakfast,
Cigarette and coffee?
Cigarette.
I thought so.
Take us over to Lancey's on Fowl.
TAXICAB DRIVER: Lancey's.
OK.
This place has the best waffles in town.
Butter in every little square.
View's always better on a full tummy.
How about another one?
Oh, no thanks.
Now that I've got you softened up, Mrs. J,
There's something I have to tell you.
You have to find your husband.
No, not for the money I promised you or my story,
But for yourself.
He's challenged you.
You've got to accept it or admit he's right.
I really would like to find him,
If only I could decipher the riddle in this letter.
Together, we can do it.
That letter's like... Like drawing a graph.
One line is to trace his movements from last night.
The other leads back into the past,
Which you have to remember.
Where they cross?
That's where your husband is.
You need a manicure.
So I do.
You know, this is the first time in my life
I ever insisted on helping a woman find her husband.
That I believe.
By the way, what do people call you
Besides Legget at The Graphic?
Oh, well, people who like me call me Danny boy.
OK, Danny boy.
Fisherman's Wharf.
Frank used to come here a lot.
I remember once he did a watercolor of a boat.
A fisherman admired it, so Frank just gave it to him.
Not to be outdone, the fishermen gave Frank a big swordfish.
I made a remark about the joys of living for the barter system
And we had a bitter quarrel.
But it certainly wasn't the first one.
Do you think Frank was referring to a quarrel
When he said, "where I first lost you?"
What else?
Another one started up here on Telegraph Hill.
Frank did a canvas of the harbor from here
That I thought was wonderful.
When I told him so, he insinuated that my taste in art
Ran to [INAUDIBLE].
I said my taste was my own and I wanted the painting.
So he gave it to me, but he signed it, "Eleanor's husband."
Without telling him, I entered it
In a contest they were having here at the art gallery.
The oil by Eleanor's husband won first prize, $500.
But do you think Frank was pleased when he found out?
Oh, no.
He refused the money and withdrew
The painting... said he wasn't ready yet.
Sounds pretty stubborn.
Stupidly stubborn.
I wonder if he ever really wanted to be successful.
Soon after that, he took the job at Hart & Winston's.
You know, the only thing we know for sure
Is that Frank was at the Oriental Gardens last night.
While we're in the neighborhood, let's drop in.
Yeah, he sat around this room until we
Came down to do the 1 o'clock show.
Then he said he was going to make a phone call.
Then Frank wrote the letter.
He said to get in touch with you, that he was going to send
The letter to a store, care of Mr. Maibus.
Hey, haven't I seen you someplace before?
Shouldn't be surprised.
I've been there.
But didn't he say what he was going to do
Or where he might go?
I didn't want to pump him.
Say, why don't you try Sullivan?
Who's Sullivan?
He's a grand mick, runs the bar across the street.
Come on, I'll show you.
You can go down the back stairs.
Now I know where I've seen you before... last night.
Sure, I was in with Mrs. Johnson.
No, I mean the picture that Frank drew.
Picture?
What picture?
Of me?
Well, it looked something like you.
You know how Frank's always drawing pictures.
Did he say who this man was?
No, no, he didn't.
I wonder if I should have told the cops about it.
Oh, well, they'll be back.
The man that was in said so.
Suzie, quit yakking.
Uh, do you still have the picture?
Maybe I could run it in the paper.
Yeah, it's upstairs in my dressing room.
I better keep it though.
Hey Legget, are you sure you want to help find Frank?
Say, don't forget that plug in the paper about us.
We could sure use it.
OK.
Take it from the top.
I've got to see our agent.
I've heard about this place for years.
Never been here before.
What'll you have folks?
You hungry?
Specialty today, corn beef and cabbage or egg foo young.
No food.
Gin on the rocks for the lady and an old-fashioned for me.
I think I'll call the paper and see if anything's broken.
You can get more out of him alone anyway.
So why don't you wear a hat?
I look funny in hats.
You know you're right?
What is it?
No, I didn't drop a nickel.
Yes, Mrs. Johnson.
Frank was in here last night just before closing time.
Did he say where he was going?
No, he didn't.
Just borrowed $10 bucks is all.
Maybe I should tell ya.
There was a couple of fellas in here this morning
Asking about Frank... fellas that you couldn't very
Well say mind your own business to.
Is he in some sort of trouble, Mrs. Johnson?
Some.
He didn't come home last night.
They're all alike.
I've been looking for mine for three years.
I'm glad I finally met you, mum.
I often wondered what kind of a woman was married to,
Not that I imagine he was too easy to live with,
Being so quiet and moody and strange at times.
For instance, now, look at this picture.
Look at the date he put on it.
Frank painted this for me about six months ago.
It was on Saint Patrick's Day.
But look at the date on it... March 17, 1947.
Well, I suppose it's an artist's privilege.
March 17.
That's Frank's birthday.
1947.
We spent the day on the beach at Cypress Point.
Then we suddenly decided we had to see the sunset from the Top
Of the Mark, so we drove to San Francisco.
We had a car then.
We had champagne cocktails and watched
The sunset over the Golden Gate.
After all, it was Frank's birthday and Saint Patrick's.
We had a beautiful dinner at Andre's and Cafe
Diablo at Amigo's.
Then we drove back to Carmel in the softest moonlight
I've ever known.
Ah, there's nothing like being young and in love and daft.
To boot.
What?
Daft.
To boot.
Well, I guess people are entitled
To do crazy things on their birthday.
This year we didn't.
I went to a movie.
Frank came down here and painted that picture.
Now I know what Frank meant when he said someone should
Have been in that picture with him.
I have a notion if your husband could have seen your face when
You were telling about that birthday party in 1947,
He'd have painted you right smack
In the middle of that picture with is arms around ya.
Ah, sorry I was so long.
Oh, Mr. Legget of The Graphic, Mr. Sullivan.
He's helping me look for Frank.
Hi.
Freshen up a little, will you?
Hold the garbage.
You?
No, I'm fine.
Get something?
Something I hadn't counted on.
What?
Frank still loves me.
That's a big help.
I think so.
SULLIVAN: If it'll help any, Frank asked me
How early the Army, Navy store is open,
The one that's down on the Embarcadero.
Oh, he's getting smart.
He's changed his clothes.
What do you say we cover it?
Oh, I uh... I'm sorry I was so rude a moment ago,
But it's always discouraging to hear
A wife say that her husband loves her.
What do you write, comic strips?
Oh, never more serious in my life.
What's the damages?
Oh, it's on the house.
I hope you find him, Mrs. Johnson.
Thanks.
It's no use looking, honey.
Once they're gone, they're gone.
How'd it happen?
I was walking along and she almost hit me.
She must have fell from the Oriental Roof Garden up there.
Who is she?
She's one of the dancers from the show.
Maybe a drink, Sammy?
It helps sometimes.
No thanks.
Hi Sammy.
Let him alone, can't ya?
I just heard about it.
I'm sorry.
I can't understand it, Inspector.
Suzie was happy.
We were doing great.
There was no reason for it.
Sometimes we don't know what makes people tick,
Even the ones closest to us.
I just can't believe she killed herself.
Well, maybe she didn't.
Inspector, how else...
Well, it could've been robbery.
She might have surprised somebody in the dressing room.
Did you check her stuff, see if anything was missing?
No.
Well do it.
Now.
We've been through almost all of these places
And we still haven't found a lead on Frank.
Mind if I look at this coat?
STORE CLERK: That's a man's coat.
Mind if I look at it?
STORE CLERK: Take a look.
That's Frank's coat.
Where did you get it?
None of your business.
But that's my husband's coat.
No, it ain't.
It's mine.
Fella came in here and traded that coat and $4
For a pea jacket and a cab.
When?
When I opened up this morning?
Where'd he go?
How do I know?
I just sell stuff.
I don't watch people.
Shut the door as you go out.
Look.
Well, wouldn't you know.
There he is, just like nothing had happened.
Ah.
Frank?
Beg thy pardon?
Oh, uh, sorry.
I never knew there was so many land-going sailors
In the world, all of them wearing
Pea jackets and seamen's caps.
Beat, huh?
I might as well admit it.
I can't remember.
No thanks.
There's not much sun left to find him under.
"If you think back," he said in his letter,
"You'll know where to find me."
Danny, maybe if I'm alone I can figure this out.
I've got to go home anyway and feed the dog.
He's been locked up all day.
Well, sure, sure.
I could meet you later someplace.
How about picking me up at the corner of Montgomery
And Union streets when you're ready?
It's not much out of your way.
All right.
I'll meet you there in an hour.
Uh-oh.
Looks like your shadow's finally caught up with you.
Are you as tired as I am?
I beg your pardon.
Come on.
There's no need for spending two cab fares.
We might as well go together.
But... well... uh...
Oh, come on.
At least we'll have someone to talk to.
As a taxpayer, I thank you.
Hello Rembrandt.
I'll be with you in a minute.
Hi.
What, you again?
Who let you in?
Landlord.
Do you mind?
Oh, no.
Make yourself at home.
I love having cops move in on me.
Where's the letter?
And don't pretend you don't know what I'm talking about.
I mean the letter your pal picked
Up at Hart & Winston's this morning.
I want it.
Sees all, knows all, except where Frank is
And who the killer is.
Why don't you go back to jail or wherever
It is you live and leave me alone?
Oh, no.
The merry-go-round's over.
This case is going cold on me and you're
The only live thing in it.
So from now on, I'm sticking with you.
That's just peachy.
Oh, I'm bushed.
You ought to be.
You covered a lot of territory today.
My men are bushed too.
You should be more considerate.
Can you make anything out of this letter?
It's pretty cryptic.
Not yet, but I'm working on it.
This sounds like a guy in love.
You think so?
Yeah.
"I'll be out in the open under the sun in a place like the one
Where I first lost you."
Then it lays it right in your lap.
Doesn't it mean anything to you?
I wish it did.
I'm glad you're not bringing me my medicine.
Oh, don't worry.
I'll find him.
And I'll be right there with you when you do.
Where you go, I go.
[DOG BARKING]
Would you insist upon going with me if I walked the dog?
I walked him.
Anyway, there's a man out front, one in back,
And one on the roof.
Fine.
I'm staying right here then.
So am I. We'll just wait until your husband comes to you
Or you can't stand the strain any longer and go to him.
Look, Mr. Ferris.
Maybe you're right with some of the things you said.
Today I discovered a lot about Frank I never knew before.
In one day what you couldn't find out in four years?
I guess I was the one that was mixed up.
A lot of it's my fault anyway.
I haven't been much of a wife.
Well, that's quite an admission from you, Mrs. Johnson.
Please.
You've got to give me a chance to see Frank
Alone and give him his medicine.
Then if he wants to come in and testify, that's up to him.
But it's got to be his choice.
I won't to try to influence him one way or the other.
Whatever he does is all right with me,
But you've got to let me see him alone first.
I believe ya and I'd like to help ya, but I'm a cop.
If Frank keeps on running, I'll have
No witness, to say nothing of a job.
[DOG BARKING]
He's hungry.
Couldn't you have fed him too?
He couldn't figure out how to work the can opener?
Can I use your phone?
[DOG BARKING]
Hello.
Ferris.
Anything for me?
Keep it going until we get results.
I think we're getting warm.
Shaw there?
Put him on.
[DOG BARKING]
I'm sorry Rembrandt.
It's the only thing I can think of.
[DOG BARKING]
Mr. Ferris?
INSPECTOR FERRIS: Yeah?
I'm worried about Rembrandt.
He was so hungry and now he won't touch his food.
Well, that's funny.
And his nose is so hot.
Maybe I better take him to the vet's.
I'll take him.
I like dogs.
Oh, thank you.
Get your shoes.
His temperature is normal.
In fact, he seems to be in perfect health.
But I'm worried about him, doctor.
He won't eat.
Maybe he isn't hungry.
Perhaps he should stay here for a few days for observation.
Uh, may I take a look at your exercise yard?
Oh, yes, just right out that door, across the hall.
And doctor, see if you can't coax him to eat something.
Doctor, I wish you would look at Emma Lou.
I'm not a doctor.
I'm here for treatment myself.
I beg your pardon?
Well, your wife thinks you ought
To leave the dog for observation.
That woman's not my wife!
Ferris was there when I got back.
He knew about Frank's letter. Well, that doesn't surprise me.
I knew he'd check there.
Danny, I've been thinking.
Why did Frank send it to Hart & Winston's?
Well, he didn't want it intercepted.
Well, why not leave it with Sammy Chung then?
Or give it to anybody he knew would bring it to me.
Why Maibus at the store?
You mean you think there's a reason?
Something you missed?
Yeah, something I didn't see, something I overlooked.
Driver, take us to Hart & Winston.
TAXICAB DRIVER: OK.
DAN LEGGET: Worried, bitter, cynical.
Fresh, eager, and hopeful.
The two Eleanors.
Now I remember!
One day on the beach at Carmel, just after we were married.
Frank made a mermaid out of sand.
It was supposed to be me.
And a big wave came up and washed it away,
And he said, well, I've lost you.
And I said, you'll never lose me Frank.
I won't let you.
That's what he meant in the letter.
It wasn't a quarrel!
This means something to you?
You know where he is?
I'll take you there.
Inspector Ferris wants to see you.
Why?
Look, he wants to see you.
Where?
Later.
I'm sorry to have to ask you to do this, Mrs. Johnson.
This man was found in an alley behind a gin mill
On Embarcadero.
He'd been brutally beaten to death.
He wasn't wearing a trench coat, but he
Was wearing a seaman's cap and jacket.
From what I remember of your husband, it could be him.
I'm not sure, so I'll have to ask
You to make a positive identification.
Let her alone.
There goes the Freeman case.
Two witnesses, two dead men.
That's the way it goes sometimes.
Eleanor, anything I could say would just be words.
Danny, that wasn't Frank.
For a quick moment I thought it was
And I felt things I didn't know I could feel.
What was I holding out for?
Why didn't I learn to understand him?
Why don't we give freely of ourselves when we can?
If only I had another chance, I thought.
Then I saw it wasn't Frank and I fainted.
Congratulations on your performance.
But it wasn't an act.
I really did faint.
Where is he?
At the amusement park at the beach.
You were there when it happened, why can't you talk?
That Johnson dame's a smart cookie.
Yeah.
I wonder where she got the idea of passing
That stiff off as her husband.
Somebody had... pass him off!
Sure.
The guy she identified was the second mate off a tanker,
Just been paid off.
Somebody rolled him for his dough.
Why wasn't I told!
The fingerprint report just came.
Keep me for a knucklehead.
Get down to the taxi stand.
Check and find out where they took her!
[MUSIC PLAYING]
Hey mack.
Watch my cab, will ya?
I want to get a hamburger.
OK, bud.
[CROWD TALKING]
[LAUGHING]
Put this on right away.
All units in the Bay Area, be on the lookout
For one yellow cab, number 323.
License number in the 7 column, 0-9, Frank, 7-6-2.
Left Hall of Justice approximately 6:30
PM this date.
Right down there beyond that railing at the sand sculptures.
He's been waiting for me all day thinking I wouldn't remember.
I almost didn't.
No.
What is it?
Well, I... I couldn't talk to him there.
There's too many people around.
I couldn't get the kind of story I want.
I know where I can meet him and nobody will bother me.
Oh, look at the sand sculpture!
Oh, I had an uncle that used to make statues,
Only he made them out of ice.
Really?
A small donation for the artist would be appreciated.
Here you are.
Thank you.
Yeah.
This thing's beginning to boil.
We'll be right down.
We're going to the beach.
Come on Rembrandt.
What my eyes miss, your nose will smell.
Come on.
I don't like this place.
It's a good spot.
I used to come here with my girl when I was a kid.
It's more frightening than romantic.
That's the way love is when you're young,
And life is when you're older.
I'll tell Frank where you are.
You sure you want to start over again with your husband?
I'm sure I want to try.
I'm not sure what he wants.
Supposing he doesn't want to.
Then I'll let him go and he'll never
Know how I feel about him.
You think people can turn back and you're going to try?
I know better.
You're too cynical.
It's your profession.
It's too late to change my profession.
OK.
Go ahead and send him in.
I'll bring him.
No.
What's the matter with you?
Don't you still want the story?
I guess I... I got to have the story, but my way.
You send him back.
I want to see him alone first.
If you want the money, I talk to him alone.
All right.
If that's the way you want it, I'll send him.
You fellas get over there and cover the pier side.
Yes.
Right, sir.
You get up there at the gate.
If Johnson tries to come through, arrest him.
What charge?
For failing to crib his dog in a public park.
I'm coming in from the other end of the pier.
Hey!
How we doing?
$7.71.
Huh?
That's better than I do on some Sundays.
Thanks for taking care of things.
You know it's the first day I've had off in years?
You know what I've been doing all day?
Riding back and forth, back and forth between here
And Sausalito on my old ferryboats.
Look, I can't stick around here anymore.
I've got to get out of here.
Say, Cap, I hate to ask you, but... but...
Won't take you very far.
Here's the keys to my car and the ticket.
You'll find it over in the parkway.
The tank's full.
Thanks Cap.
I'll get it back to ya.
You better.
Frank!
Hey, pardon me?
Where's Frank?
What happened to him?
Who?
Frank Johnson.
Never heard of him.
Sorry, Mrs. Johnson, but I had to be careful.
Frank waited all day and said he couldn't wait any longer,
So I loaned him my car about five minutes ago.
Where did he go?
Over to the parking lot on the other end on midway.
Thank you.
I lost a bet with myself.
Did you want to win?
As ordered, delivered.
Late as usual, but delivered.
Let's get out of the light.
Keep an eye out for us, will ya Cap?
Why didn't you tell me about your heart?
Well, you know the doctors.
They make a big deal of everything.
Guess it was a silly thing to do writing that corny note.
It sounded like you'd had a couple of drinks.
I had.
By the time I finished the drinks and the letter,
I was a pretty sad character.
Well, I can't hide out here forever.
Would you want to?
I could get a job in another town, huh?
Pretty fair window trimmer.
Pretty good artist too.
We've got to pull out of this.
We?
Yes.
If this excitement hasn't killed you, I'm sure I can't.
We'll get out of town where you'll be safe.
Can't go very far.
I've got $7.71.
Borrowed that from the captain.
There's a fella named Legget, a reporter from "The Graphic."
He helped me find you.
He's promised to give you $1,000 for an exclusive.
A lot of money for the little I can do.
Well, his paper must think it's worth it,
So why look a gift horse in the mouth?
Well, where is he?
Over by the roller coaster.
Come on, I'll show you. INSPECTOR FERRIS: Hey you.
Turn around!
Do you know an artist named Frank Johnson?
CAPTAIN: Who?
Frank Johnson, an artist.
Did a sketch of you.
I saw it.
Could be, but I don't remember.
Oh.
See, I just work here.
Used to be a ferryboat captain though.
Where?
Over there under the roller coaster.
Go all the way at the end of the walk
And duck in around the scaffolding.
OK.
Here's the ticket and the keys to the captain's car.
It's parked down at that end of the...
Yes, I know.
Well, I'll meet you there.
No, I'd better bring it here.
You've got to stay out of sight.
I can't let anything happen to you now.
Nothing can happen to me now.
Remember that man shot at you.
How did you know?
That wasn't in the papers.
Ferris told me.
Nobody else knows it.
Nobody but the guy that fired the shots.
You better go now.
I'll be back as soon as I can.
Hey Martin.
The prowl car out at the entrance
Just got word for you to call in.
Johnson hasn't passed me yet.
Oh, I haven't got time to talk to him now.
That's McDonald and Murray's case.
But he says he has some information you wanted.
Uh, hold on.
Hello Inspector.
Remember you asked me to check all of Suzie's things
To see if anything was missing?
Sammy, I'm busy.
I... I'll see you tomorrow.
I just wanted to tell you that nothing was missing,
Except that sketch that Frank drew on the back of a menu.
Sketch?
Of who?
SAMMY CHUNG (ON PHONE): I don't know.
But Suzie said it looked like that newspaperman that
Was in the club this afternoon with Mrs. Johnson.
SAMMY CHUNG (ON PHONE): That good notice
He was going to give us won't do Suzie any good now.
What happened? Where's Frank?
He's on his way to meet you, but Ferris
Is here with the dog.
Rats.
Thought that stiff in the morgue was a plant.
He's a pretty sharp fellow.
Let's get off the midway.
Come on.
They'll never look for us in here.
But these things make me sick!
Stay in your seats, folks.
Second ride is half fare.
I'll never ride this thing again!
All right, Eddie, take it away.
Don't stand up in your seats, folks.
This is the greatest thrill of your lifetime.
The ride only takes a couple of minutes.
Besides, when we get to the top, we can see if Frank's there.
Oh, he must be there by now.
Oh! [GIGGLING]
I don't see him.
[SCREAMING]
Where is he?
I don't know!
[SCREAMING]
Hey buddy, where do you think you're going?
[SCREAMING]
The second ride is only half fare.
Want to go again, baby?
I wouldn't go again for the admiral!
You stay on for another ride.
I'll go see what's happened to Frank.
I want to go with you.
No.
With Ferris outside, together, we'd be too conspicuous.
But Danny!
Ferris traced you here.
If he found you, someone else could follow you too.
Second ride, half fare.
The lady will go again.
OK, Eddie.
Take it away.
Don't forget Somebody shot at him last time.
They tried to kill him once, they'll do it again!
DAN LEGGET (VOICEOVER): Don't forget.
Somebody shot at him last time.
They tried to kill him once, they'll do it again!
INSPECTOR FERRIS (VOICEOVER): Nobody
Knows that except your husband, the killer, and now you.
Nobody knows that except your husband,
The killer, and now you.
Frank!
Go away!
Frank!
Go away!
Oh, Frank!
Frank, please go away!
Frank!
Please!
Frank!
[SCREAMING]
Frank!
Go away!
DAN LEGGET: Frank?
Frank Johnson?
Yeah?
That you Mr. Legget?
Be careful.
There's a loose plank over here.
DAN LEGGET: I know.
Well, why don't you get it over with?
I don't have to Frank.
You got a bad heart.
You can't stand tension.
You're going to kill yourself.
[SCREAMING FROM ROLLERCOASTER]
[SCREAMING]
Second ride is half fare, folks.
Take advantage of the second ride.
It's only half fare.
[CARNIVAL MUSIC]
What's your hurry Mrs. Johnson?
[GUNSHOT]
[CARNIVAL MUSIC]
INSPECTOR FERRIS: I had to do it Mrs. Johnson.
That's Legget down there.
Your husband's safe.
Wh... where's Frank?
Out there on the midway.
[CARNIVAL MUSIC]
[LAUGHING]
[MUSIC PLAYING]